God 101 and God 101 Music Video Demo: I started the Music Video Demo when I lived in Paphos, Cyprus, and still haven't had a chance to finish it. A$AP Rocky's "Praise Da Lord (Da Shine)" music video has a split screen between New York and London, and including that exact part of London is probably part of what I'll do when I finish my video.
Meeting LA-Based Self-Realization Fellowship Monastics in Holland Park, London - After Almost Dying on the Way
I'm looking for work, and my CV is available on request. The New York Times ran an article by David French on its front page on the 24th of January of this year that I thought was quite good: it included the words "There will be more twists and turns, highs and lows, but I'm afraid it's time to recognize a sad reality — it's over". Also, Days of Ash by U2 was recommended by my priest in Harefield, Greater London, Martin Davies. I had a phone conversation recently with Heather Hartnett who you can see in the God 101 Music Video Demo that I thought was important as it connects back to my early childhood at Maharishi School in Fairfield. Heather had a 641 number when, on the third try, for whatever weird reason, I got through and we talked on the 24th of March of 2026: she's not a saint, or at least technically you're not allowed to say she is, but maybe she is: if she was one I'd want to know more about dating Gyan Kesler and Matt/Lewis. I'm still a virgin, which is highly prized in Revelation (a text in the Bible). I dated Pauline Hutchings one time: the irony of that life is she had been a nurse when we dated, but according to the dean of the cathedral where we met in Nicosia, she was later an MD in Belfast: first, really effeminately cleaning up poop, and then slicing and dicing as if it's Kim and Eminem in one person. Here is a photo of us on the date. On April 7th, 2026, Ray Dalio posted on his LinkedIn "We Are In A World War That Isn't Going To End Anytime Soon": he and my father connect through TM, not that I'm on speaking terms with my father.
When I was in Paphos, composing God 101, I released a selection of my experimental songs, and I will continue that tradition as I compose my next song. There were some highlights from that experience, and one was on the rooftop I show in the video, when a German musician listened to two and said they were good. That was a choice one because there's something so devastatingly serious about Germans. Here is a freestlye to a familiar beat: London Experimental Song 1. As for the reception to God 101, it's absolutely unclear to me at this time, but maybe, just maybe, The Fate of Ophelia is a response to its Godly theme.